• November 12, 2010
  • 15:21

Movember

Movember is on, second year and running. One would like to argue that
there's no better excuse of growing a Mo than this. Growing a moustache is
like rebranding (or debranding) your face.



Movember  (the month formerly known as November) is a moustache growing charity event held during November each year that raises funds and awareness for men's health.

In Finland Mo Bros and Mo Sistas are raising funds to benefit Hopeanrahasto. Hopearahasto funds research that is accelerating the discovery of better treatments for prostate cancer. 80% of the collected funds are allocated to research and 20% to counselling and guidance.

Movember challenges men to change their appearance and the face of men’s
health by growing a moustache. The rules are simple, start Movember 1st
clean-shaven and then grow a moustache for the entire month. The moustache
becomes the ribbon for men’s health, the means by which awareness and funds
are raised for cancers that affect men.  Much like the commitment to run or
walk for charity, the men of Movember commit to growing a moustache for 30
days.  

We won't cancel any meetings in Movember because of our MD's brave attempt
to a grow a Mo. All our clients, please show support. You may even donate
here, no registration needed.

  • September 16, 2010
  • 09:06

Mad about the logo change?

In my previous career, I chose to join in United Airlines' Mileage Plus program much because I could use SAS from Helsinki to European destinations and United in transcontinental flights. However, the bigger reason was that ten years ago their mileage system was lightyears better than for example Star Alliance's. Everyone knows upgrading to business class in flight from Europe to West Coast USA is just plain awesome and with United that happened more often than with other carriers.  

 Past decade has been really traumatizing for the airlines operating with traditional (should it be written old) business model. Chapter 11, mergers and lay-outs have been dominating the airline industry news. Following that trend also United Airlines and Contintental are merging to create a world's biggest airline. No news there. 

 However, the really intriguing part is the anger towards the logo change of some United Loyalists. 

United Airlines logo development over the years. 
 
The United Tulip logo was designed by famous visual designer Saul Bass in 1974. He is man behind some other great visual identities and vast amount of other visual mastery as well. 
 
United loyalists are stating that: " The iconic tulip logo is hallmark of American aviation and it belongs as part of the new United Airlines" – even continuing by saying – "If you prefer the Continental globe, there must be something wrong with your prefrontal lobe". Tiny auch.
 
Of course there absolutely, most definitely has to be a Facebook group.
 
On a broader perspective the really interesting part is the actual brand attachment people have towards the United brand and its tangible brand elements. Logos have always been loved and hated by people and therefore their design should not been taken lightly. Great brands need to have great brand elements that people can resonate with. This might end being a case where the new identity, when created, won't satisfy the United loyalists. Logo change epitomizes the classic change resistance. Sometimes subtle changes are better that radical. 

Here is the original story.  
 
If you are interested in visual identity development, while even keeping your logo the same, do not hesitate to contact us.  
 
 
 
  • May 11, 2010
  • 21:04

Dishcloth to Our Liking

Here is a discloth that we really like. Wonder why? Well, you can order yourself one from the German online shop magazin.

  • March 26, 2010
  • 14:16

Design, Not Labeling

 

Whenever I meet someone, the second question is always what is it that we do in Werklig? The answer – a design agency – usually raises more questions. And rightfully so.

Design as a concept is so overwhelmingly undefined, yet so crucial to identify what we actually do. Everything can be designed but not everything is design.

Design is, as we see it, a solution to a complex set of problems. Let’s look at corporate identities for example. CI is a complex problem, not merely a challenge. If we leave the two other elements of corporate identity mix aside, these being communication (advertising, PR, sponsorship etc) and behaviour towards customers and stakeholders, we are left with corporate visual identity. Visual identity can be solved but not without thorough knowledge of the organization in question.

Why it’s a must to understand your client and their business? In order to visualize corporation’s identity we are creating something that visually embodies the core existence of the whole organisation and fulfills the most prominent presumption of marketing: differentiation. To put it more simply:  great visual identities fulfill two things; they fit and they differentiate.

Being or looking different, without any fit is not that hard. Achieving a fitting visual identity is not that cumbersome either. However, creating a great, fitting and differentiating visual identity is complex. Design is the answer to this complexity.

For that purpose we must get to know the organisation in order to create something that can be rightfully labelled as design. Without thorough knowledge of for what, who and why we would be simply creating something hollow, something meaningless, unfitting or the same as everybody else. It's labeling instead of design. We are not in labeling business, we must not be. Labeling happens when something is just done instead of questions being asked why it should be done.

Werklig is a design agency. We ask questions. We want to know our clients. We need to know why. Luckily our clients understand this. 

  • November 17, 2009
  • 13:06

Other Than Blue?

Organizations spend a vast amount of money and resources to differentiate their visual identity from others. They hire an agency to create a perfect visual match to their strategic objectives. Countless hours are spend in honing the logos and emblems to differentiate the look & feel from the competitors. While typography is an integral part of the identity, being so pervasive it's usually left up to agencies to decide. Then is the third integral part; the color palette. 

When it comes to deciding the colors, the decision is usually driven by history of the organization, communication objectives, strategy and oftentimes the clients own personal preferences. The decision criteria is true and valid to all visual elements. Surely colors affect our emotions but those emotional associations are tied to our cultural background, personal experience and associations, even to our age and gender. The crucial thing about colors is that all of them have both negative and positive associations. This equals that there's is no all-evasive positive or negative color. Therefore, there are no right or wrong colors. 

All in all, if the color does not matter that much, why is this still the reality? 

  

 
(Photo from Wired via Flickr
 
Thanks miku585 (via smai) for the photo and inspiration to write this.
  • October 7, 2009
  • 11:57

TEDx Helsinki

Everyone who's been alive the past ten years should be aware of TED. It's an expanding non-profit devoted to Ideas Worth Spreading. TED brings together people from the world's of Technology, Entertainment and Design. And those people share their absolutely amazing ideas and insights through their through-the-roof presentations. In addition to the two TED main events, local events are happening around the globe as well. Gladly, one of these local events called TEDx, is being organised here in Helsinki. The x signifies an independently organised TED event. 

Alex Nieminen, founder of N2, took the initiative with other commendable people and they are proudly organising it in Helsinki 22 October. Max kudos for making it happen.

According to TED site the presenters lucky enough to be asked to speak at TED are given 18-minute slots maximum, some are for even less time such as 3- and 6-minute slots. But it's not only the burden of time management. There are ten TED commandments for the presenters as well.


(via shoplifwindchimes)

Novelist Amy Tan described the arrival of the TED Commandments as “something that creates a near-death experience; but near-death is good for creativity…”.

You can check Amy's TED presentation here.

You can apply for a ticket here

  • September 16, 2009
  • 21:18

Werklig - Brand Development

Brand is all the assumptions, emotions and conceptions that people have about the company and it’s product and services.
 
Companies may own the right to produce their products and services but essentially brand is not a brand without their clientele, merely just a producer of goods.  At the end of the day, clients are the ones who really own your brand. You must effect these emotions but control is something one might never have.  
 
Brand development, in its essence, is to find, analyze and perfect all those possible touchpoints the consumers or clients have or might have with the brand. It is as much of all the things written or said about the given company or organisation as it is those thing never said. It is as much the package or the look& feel of the brochure as it is the user experience, behaviour of the sales force and the talk on the street corners.
 
Brand development must be a never-ending continuous process more than just one-off rehearsal every now and then. And it must be based on real, concrete and existing attributes that brand or company contains. If not, it is set to fail.  
 
Here are few examples of our work. We can only give you brief glimpse of the work but you may always ask for more.
 
  • September 16, 2009
  • 21:04

Werklig - Brand Design Agency

In English 
 

Werklig is a Helsinki based brand design agency.Our clientele varies from multinational corporations to small but ambitious up and coming entrepreneurs. We consider  thorough understanding of our clients business as the requisite of excellent creative work.

We emphasize firm reasoning. We create things that make sense.

We are hardcore, passionate professionals who believe we can make a change while making sense.

Our services:

Brand development
Visual identity design
Package design
Retail design
Design of marketing materials
 
Click a corresponding service above to get a list of examples and inspirations. Then click deeper. 
 
Suomeksi 
 
Werklig on brändi- ja designtoimisto.
Asiakkaamme ovat monikansallisista konserneista pieniin mutta intohimoisiin ja kasvaviin yrityksiin.
Meille asiakkaan liiketoiminnan kokonaisvaltainen ymmärtäminen on edellytys erinomaiselle luovalle työlle. Me haluamme tietää.
Vahva ja analyyttinen suunnittelutyö on perusta onnistuneelle muotoilulle.
Me luomme asioita, joissa on järkeä. Olemme koulutettuja ja intohimoisesti designiin suhtautuvia ammattilaisia, jotka uskovat siihen, että voimme työmme kautta muuttaa myös maailmaa.
 
Palvelumme:
 
Brändinkehitys
Visuaalisten identiteettien muotoilu
Pakkausmuotoilu
Jakelutiemuotoilu
Markkinointimateriaalien suunnittelu
 
Our contact information can be found here. Yhteystietomme löydät täältä.  
  • May 15, 2009
  • 13:23

Rebranding America

Paper Magazine invited 15 of the best (in their mind) visual communicators to redefine the image of US. The list includes Kevin Roberts from Satchi & Satchi, Alex Bogusky from CP+B and W+K12 (Wieden Kennedy's in-house ad school). The brief is here.

When just briefly looking the creations, one could summon that America is still a place full of intolerance and arrogance. May be so, but aren't those international human features? What do you think? 



You can check the creations either here or here
  • May 13, 2009
  • 15:27

Design Theories

What design is all about? There has been a lack of exhaustive definition(s) capturing the entirety. The aftermath of this is that the whole concept of design is played out.

Fred Collopy has been a primus motor at Weatherhead School to find at least a foundation for further defining what design is. No small feat.

Here is a list of three they have come up with:

  1. Design is the process of finding and solving non-routine (wicked) problems, often with a focus on bringing new products or services to market
  2. Design is the intentional assembly of systems with interacting parts to achieve some objective
  3. Design is a collection of methods and techniques, often drawn from the fine arts, to creatively solve problems

Fred is the first admit that these serve as a starting point for further defining. More in-depth blog-post from Fred Collopy can be read from Fast Company site. 

There are theories behind what we do every day. Colors, typograhy, white space etc are always there for a reason. We take a great pride in actually explaining and reasoning the design decisions to our clients.

This reasoning is based on education and existing theories. They create a foundation and framework for what great graphic design is. You cannot bend these rules if you cannot understand, reason and explain why you do it.

For anyone interested, there is an article which gives you 50 Totally Free Lessons in Graphic Design Theory. Read them and suddenly you're professional too. Or not.